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Should You Hire a Freelancer, a Production Company, or an In-House Team?

The short answer

A freelance videographer fits a simple shoot: one camera, one location, and a fixed edit. A video production company fits projects with several locations, interviews, a crew, or insurance requirements. An in-house team fits steady weekly output. Twin Cities teams can also mix them: an in-house editor with a production company for larger shoots.

Two cameras and lights set up for a seated interview on a stadium concourse

Side by side: freelancer, production company, in-house team

Freelancer, production company, and in-house team compared on six factors
FactorFreelance videographerProduction companyIn-house team
ScopeOne shoot or a short run, often one locationSeveral locations, multi-camera interviews, or several deliverablesSteady, repeat content for your own brand
CrewUsually one person on camera, audio, and editA scoped crew sized to the jobYour own staff, sized to your output
GearTheir own kit, plus rentals when neededOwned or rented, matched to each shootYou buy and maintain it
InsuranceVaries by person, so ask for a certificateUsually carried, so ask for a certificateYour company policy, so check that it covers filming
TurnaroundFast on small edits, tied to one person's calendarSet by the project scheduleSet by your own priorities
Who manages the shootYou and the freelancerA director or producer on their sideYour team lead

When a freelancer is the right call

A freelancer is the right call when one skilled person can handle the whole job, like a short social clip or a simple recap.

You get a direct line to the person shooting and editing, and you pay for what the shoot needs. For a small, well-defined job, that's often the better deal.

Before you book, take a look at finished work like yours, ask who their backup is, and ask for a certificate of insurance if your venue needs one.

Camera operator filming a person standing in a barn

When a production company is the right call

A production company is the right call when the job needs more hands than one person has. During an interview, someone has to watch audio and lighting while the director works with the subject.

Once you're shooting in several locations, you need a detailed schedule. Corporate sites, hospitals, and event venues often want a certificate of insurance before a crew walks in.

At Bloom Creativ, our founder Chase Johnson runs every shoot and we do our own editing, so you have one point of contact from first call to final cut. Take a look at our corporate video production in Minneapolis.

Woman seated for an interview on a white brick set with a softbox and teleprompter

If your job is one camera in one room, you probably don't need a company. Crew size should match the job, and a bigger crew doesn't make a better video. If you're comparing companies, start with these questions to ask a video production company.

Watch Now Great Northern Corp overview video
An overview video for Great Northern Corp, with scenes on the warehouse floor.

When an in-house team pays off

An in-house team pays off when you need video every week, not a few times a year. Someone on staff already knows your brand, your people, and your approvals, so small requests move fast and revisions are easy.

The tradeoff is that you're paying for it whether or not you're shooting. Salaries, gear, software, and storage stay on the books in slow months, and on a one-person team, the work waits when they're out. Bigger shoots often still need outside help.

Light stands lined up against a brick wall in Studio 402

Mixing the three

You don't have to pick one. These setups work well:

  • An in-house editor, with a production company for larger shoots.
  • An in-house team for weekly content, with a freelancer for overflow.
  • An in-house team that plans the video and hires a crew to shoot and ship the footage.

Agencies and in-house teams also hire Bloom Creativ as crew on Twin Cities shoots.

Two speakers on stage in front of a green curtain with an audience watching

FAQ

Should I hire a freelance videographer or a video production company in Minneapolis?

Hire a freelancer for a simple shoot with one camera, one location, and a fixed edit. Hire a production company when the job has several locations, multi-camera interviews, a crew, or insurance requirements. Look at finished work from both before you decide.

When do I need a full video crew instead of one videographer?

You need a crew when one person can't watch everything at once. Multi-camera interviews, lit scenes, and large live events usually need separate people on camera, lighting, and audio.

Is it cheaper to build an in-house video team or hire a production company?

For a few projects a year, hiring per project usually costs less. An in-house team carries fixed costs every month, so it pays off when video is steady weekly work.

Is a freelancer cheaper than a production company?

For the same simple shoot, usually yes, because fewer people are on the job. The gap narrows as a shoot adds crew, rentals, and editing. Make sure you're comparing quotes on the same crew size, shoot days, deliverables, and revision rounds.

What does Bloom Creativ charge for a video?

Typical projects run $5,000 to $9,500, with full projects from $5,000 to about $25,000. Those are our own numbers. The main factors are crew size, locations, and talent.

Should a freelance videographer have insurance?

Yes, if your venue requires it. Many corporate sites, hospitals, and event venues want a certificate of insurance before anyone films, and coverage varies by person, so ask before you book.